Promotional graphic for Bizet's Carmen opera, scheduled for October 24 to 26, featuring stylized text with the title 'Carmen' in large decorative red font, and the dates in smaller yellow font.

NOAM AVIEL Conductor
KETURAH STICKANN Director
EILEEN DOWNEY Chorus Director & Rehearsal Pianist
LILY WITEMEYER Children’s Chorus Director
CHARLES MILLER Fight Director
THE KNOXVILLE SYMPHONY ORCHESTRA

ACT I

It’s a blistering hot day in Seville, Spain. Hot and tired, a group of soldiers hang out watching people go by. The shy Micaela comes looking for Corporal Don JosΓ©, but he’s not there. The soldiers try to get Micaela to stay with unwanted flirtation, and she leaves. Soon after, Don JosΓ© arrives as the guards change shifts. A bell from the cigarette factory chimes, and the women come out for their smoke break. The men flirt with the factory girls, too. Carmen comes in last, and all the men are drawn to her, except JosΓ©. As Carmen sings, β€œLove is a rebellious bird that no one can tame,” she notices him not looking up and throws a flower at him. Laughing, she and the other women return to the factory. He hides the flower in his uniform. MicaΓ«la returns with a letter from José’s mother, who begs him to marry MicaΓ«la. As he reads the letter to himself Micaela leaves. Suddenly, horrible screams come from the factory. Carmen has gotten into a fight with another girl and slashed her face with a knife. Lieutenant Zuniga questions Carmen, but her only reply is the mocking response. Don JosΓ© is ordered to guard Carmen while Zuniga gets a warrant for her arrest. Alone with JosΓ©, Carmen seduces him into making a plan that will let her escape. Zuniga returns with Carmen’s formal arrest orders. As she’s being led away to prison, Carmen pushes Don JosΓ© and escapes.

ACT II

A month later, Carmen and her friends Frasquita and MercΓ©dΓ¨s have fun singing and dancing in the evening at Lilias Pasta’s tavern. Carmen hears that Don JosΓ©, who was sent to prison because he let her escape, was released. The famous bullfighter Escamillo arrives, and everyone is happy to see him back in the neighborhood. He sings about his adventures in the bullring and flirts with Carmen, and she flirts back weakly. The soldiers and Escamillo leave as DancaΓ―re and Remendado join Carmen, Frasquita and MercΓ©dΓ¨s. They need to deliver some smuggled goods and want the three women to join them. Carmen says she can’t go because she’s in love. Nobody believes her until Don José’s voice is heard outside. The others leave Carmen and JosΓ© alone. He tells her how much he loves her. A trumpet signals that the soldiers must report back to the barracks and JosΓ© says he must leave, but Carmen mocks his loyalty to the military. JosΓ© proves his love by pulling out the flower she threw at him at their first meeting. That’s not enough for Carmen; she wants him to ditch the army and join her life of freedom. Don JosΓ© tells her he could never leave the military. Zuniga shows up to see Carmen and orders Don JosΓ© to leave. JosΓ© refuses and begin to fight him. Before JosΓ© kills Zuniga, men burst in and pull Zuniga into the back room. Don JosΓ© has no choice but to flee with the Romani as they head into the mountains.

ACT III

Several months later, late at night in a deserted ruin outside of Seville, the Romani group carry their goods through the mountains. Carmen’s love for Don JosΓ© is fading and the two bicker. She tells him to go home to his mother. Frasquita and MercΓ©dΓ¨s read their fortunes in cards, but when Carmen tries, she only sees her death and Don José’s. The women join the men on a trip down the mountain to distract any customs agents. Don JosΓ© stays behind to watch the camp. MicaΓ«la has found her way to the site looking for JosΓ©. She will take Don JosΓ© away from Carmen. Afraid, she hides after seeing Don JosΓ© shoot his gun. The bullet has barely missed Escamillo who is there to see Carmen. The Toreador claims the two of them are in love. JosΓ© challenges him to a duel, but the fight is cut short when the everyone returns. After Escamillo leaves, Remendado finds MicaΓ«la hiding as JosΓ© gets in a very public argument with Carmen. To get him to leave, MicaΓ«la tells Don JosΓ© that his mother is dying. He quickly rushes off with her.

ACT IV

Outside the bullfighting ring in Seville, crowds have gathered for the bullfight. The crowd cheers Escamillo as he enters, and he and Carmen express their love for each other. As the throng enters the arena, Frasquita warns Carmen that Don JosΓ© is somewhere in the crowd. Carmen says that she is not afraid and stays behind to confront him. Disheveled and crazed, he comes out of the shadows and begs Carmen to start a new life with him. Carmen says everything is over between them. Carmen tries to go into the arena and Don JosΓ© blocks her way. Carmen says she’s in love with Escamillo. Enraged, Don JosΓ© lashes out at Carmen with a knife.

MEET THE CAST

Portrait of a woman with short brown hair, red glasses, wearing a black turtleneck and black blazer, against a dark background.

Noam Aviel

Conductor

A woman with shoulder-length brown hair, wearing a light pink sweater and a necklace with a black and silver owl pendant, standing against a gray background.

Keturah Stickann

Director

Close-up portrait of a woman with blonde curly hair, wearing makeup with red lipstick, and a black sheer top with polka dots, against a dark background.

RenΓ©e Tatum

Carmen

A smiling man with short blond hair wearing a black shirt, black tie, and a maroon velvet blazer posing against a plain white background.

Ben Gulley

Don JosΓ©

A man with a bald head, red beard, glasses, and an earring wearing a tuxedo with a black tie.

Jonathan Patton

Escamillo

A woman with long, dark, curly hair wearing a gray lace dress with pearl earrings, posing against a dark, blurred background.

Karen Chia-ling Ho

MicaΓ«la

A young woman with shoulder-length dark hair and bangs, smiling at the camera, wearing a black dress with purple and yellow floral pattern, against a plain light-colored background.

Lauren Boozer

Frasquita

A woman with curly brown hair smiling, wearing earrings and a pink and black leopard print top, against a green background.

Hannah Shea

Mercédès

Portrait of a young man with long curly hair, smiling, in a dark suit and white shirt, against a plain background.

JJ Robinson

Zuniga

A portrait photo of a bearded man smiling, wearing an orange collared shirt with a patterned inner collar against a dark background.

John Overholt

Le Remendado

A man with long dreadlocks, glasses, and a beard, wearing a vest, white shirt, and a plaid tie, smiling on stage with a blue background.

Maurice Hendricks

Moralès

A young man with short brown hair, blue eyes, and a light beard wearing a white dress shirt and a navy blue blazer, standing in front of a dark wooden background.

Joel Brown

DancaΓ―re

FULL CAST BIOS

CHORUS

Staley Clark
Meghan Cluskey
Vallie Comstock
Falynn Davis
Madeline Depinet
Lindsay Dove
Liz Elliott
Emme Griffith
Elena Klein
Jordi Lawless
Ana Aguilar Piedra
Sarah Ray
Christina Villaverde
Emma Wilson

Esteban CaΓ±o
Nathaniel Christakis
Todd Cochran
Dylan Fink
Kyle Foster
Adam Funderburg
Daniel Howell
Tim Pope
Matthew Rajkowski
Evan Schettler
Tanner Smith
Deshawn Stevens
Sean Whitson
Daniel Willsey

CHILDREN’S CHORUS

Isla Burdette
Bernadette Di Salvo-Tinley
Josie Durrett
Ella Goebel
Dorothy Hardy
Madison Holland-Davis
Eleanor Lawless
Eli Lawless
Jonah Lawless
Alexa Funes Minjares
Vera Nemykina
Emery Ray
Claire Rosenbaum
Aoife Ullman

SUPERNUMERARIES

Ryan Goral
Oliver Hassall
Patrick Minton
Sarah-Clementine Mire
Luis Ramos

KNOXVILLE SYMPHONY ORCHESTRA

Aram Demirjian β€” Music Director
Natalie L. Haslam β€” Music Director Chair

James Fellenbaum β€” Resident Conductor and Youth Orchestra Music Director
Sande MacMorran β€” Music Director Emeritus, Youth Orchestra Association
Mark Zelmanovich β€” Concertmaster Emeritus

VIOLIN I
Will Shaub, Concertmaster & Clayton Family Chair
Gordon Tsai, Associate Concertmaster & Joseph A. Fielden Family Chair
Sean K. Claire
Ikuko Koizumi
Zofia Glashauser
Tobias Elser
Jennifer George

VIOLIN II
Edward Pulgar, Principal & Gleb Mamantov Chair
Kyle Venlet
I-Pei Lin
Rachel Loseke
Jeffrey Brannen

VIOLA
Katy Gawne, Principal
Jennifer Bloch
Bill Pierce
Josh Ulrich

CELLO
Andy Bryenton, Principal
Sarah Senn, Mary and Joe Sullivan Chair
Adam Ayers
Stacy M. Nickell

BASS
Steve Benne, Principal
Peter Kim

FLUTE
Devan Jaquez, Principal
Jill Bartine

OBOE
Claire Chenette, Principal

CLARINET
Victor Chavez
Mark Tucker, Traver Family Chair

BASSOON
Duncan Henry, Principal

HORN
Jeffrey Whaley, Principal
Kelsey Bentley

TRUMPET
Kole Pantuso, Principal
Nathan Coffman

TROMBONE
Sam Chen, Principal

TIMPANI
Michael Combs, Associate Principal

PERCUSSION
Bob Adamcik, Co-Principal
Andy Adzima

HARP
Cindy Emory, Principal

Josh Beach β€” Director of Operations
Mark Tucker β€” Personnel Manager / Librarian

PRODUCTION TEAM

Production Stage Manager Amy Stoll
Assistant Stage Manager Madeleine Trout
Assistant Stage Manager Faith Nevarez
Technical Director Cody Wilson
Lighting Design John Horner
Wig & Makeup Design Brittany Rappise
Costume Design Howard Tsvi Kaplan
Costumes Provided By Sarasota Opera Association, Inc.
Sound Design Phillip Crawford
Set Design Bobby Bradley
Producing Director Dean Anthony
Production Manager Don Townsend
Wardrobe Supervisor Patti Rogers
Properties Coordinator Jaime Jaimes
Wig & Makeup Assistant Carlee Wuchterl
Wig & Makeup Artist Laura Asmussen
Wig & Makeup Artist Morgan Wilder
Stitcher Robbie Rankin
Wardrobe Assistant Terry Lund
Supertitles Cuer Ashley Victoria Jones
Theatrical Stage Employees Provided by IATSE Local #197

THANK YOU TO OUR HOUSING & VEHICLE SPONSORS

Shane Archer
Baymont by Wyndham West
Eden Bishop
Donna Cragle & Barry Fernandez
Lane Hays
Theresa Lee and Jacob Love
Francine Marasco
Margaret and Jim Samples
Caesar and Dorothy Stair
Linda Williams and Don Townsend